poetry+prose@anywhere
a respository (or suppository...) for writing, mostly mine.
Thursday, September 5, 2013
Always interesting to see how the National Library of Australia categorize your work for cataloging purposes. 'Rosemary and Julia: unblock me' received:
Subjects: Friendship--Fiction, Missing persons--Fiction, Assimilation (Sociology)--Fiction, Identity (Psychology) in youth--Fiction. Dewey Number: A823.4
The 'Assimilation (Sociology)' call is particularly interesting and, in a strange way, appropriate.
Wednesday, July 24, 2013
Just signed with Satalyte Publishing, a new Australian publisher, for print and digital rights to 'Missing, Presumed Undead'. Will now be working further on putting book#2 of Casablantasy together, currently titled 'Khaos Theory (or The Fifth Elemental)'. With great thanks to my Literary Agent at Book Harvest: Ineke.
Wednesday, June 5, 2013
an author's cat
Maximilian is an author’s cat.
When he rolls on the carpet, he does it like Proust,
and he curls himself up like a fistful of foreign furry
grammatical marks:
black and white pools.
He has a mind for French-Americana,
frank and short and stubby, tightly whiskered
like his pink-tipped face;
but so full of sens.
Nearby the Russians; none-too-proud,
he resists the urge to scratch
and purrs instead. Harsh, but happy.
Stern, but with fresh dribble in the corner of his teeth.
And there, the English,
with the sun page-yellow of a second hand book,
his paws pressed beneath the stand of the old summer fan
and twirl and ruffle and ‘meow’—just a tweet—
where the sound itself is enough
to write a novel.
When he rolls on the carpet, he does it like Proust,
and he curls himself up like a fistful of foreign furry
grammatical marks:
black and white pools.
He has a mind for French-Americana,
frank and short and stubby, tightly whiskered
like his pink-tipped face;
but so full of sens.
Nearby the Russians; none-too-proud,
he resists the urge to scratch
and purrs instead. Harsh, but happy.
Stern, but with fresh dribble in the corner of his teeth.
And there, the English,
with the sun page-yellow of a second hand book,
his paws pressed beneath the stand of the old summer fan
and twirl and ruffle and ‘meow’—just a tweet—
where the sound itself is enough
to write a novel.
Wednesday, December 19, 2012
Thursday, June 14, 2012
before a parade is staged
by jeremy davies
‘I’m Botswana,’ he says,
shows me a coloured-in flag
pasted to a stick.
‘Do you know where that is?’
He nods,
his ocean eyes omnipotent,
bottom lip confidently bit.
The parent in me asks:
‘So where?’
And the answer is so supremely right
that nothing else from that time
on could ever do it injury.
‘It’s in room three.’
‘Of course!’
Wet with my shadow,
he cocks his head,
gifts me with a grin,
and says: ‘What’s funny?’
Saturday, February 25, 2012
literary agent
Sunday, May 1, 2011
Madrid
Every night the moon is full.
Buildings, broad-shouldered, are canyon-cutting
up through the stone and earth:
they know themselves
and the monuments, with sky in their eyes,
ignore me, looking ever down:
there is blood beneath the cobblestones
that hearts still move about.
You smell food in the light,
cigarettes in the dark,
and the difference is gentle,
like the breeze in November.
Sweet Henry,
sweet Ricardo,
dream me into city dreams
amongst the beating boom of living lusting rock
Here,
to catch your breath
is to put it in a jar,
seal it up
and start to build a pathway.
Madrid is breathing me,
in and out and in
to the streets, in
to the open-shuttered bedroom
warm as hand-held brass.
Life is a city, this city,
so heavily human,
so full
so unlike empty meadows, flowers and fields
that know nothing.
Buildings, broad-shouldered, are canyon-cutting
up through the stone and earth:
they know themselves
and the monuments, with sky in their eyes,
ignore me, looking ever down:
there is blood beneath the cobblestones
that hearts still move about.
You smell food in the light,
cigarettes in the dark,
and the difference is gentle,
like the breeze in November.
Sweet Henry,
sweet Ricardo,
dream me into city dreams
amongst the beating boom of living lusting rock
Here,
to catch your breath
is to put it in a jar,
seal it up
and start to build a pathway.
Madrid is breathing me,
in and out and in
to the streets, in
to the open-shuttered bedroom
warm as hand-held brass.
Life is a city, this city,
so heavily human,
so full
so unlike empty meadows, flowers and fields
that know nothing.
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